i was going to give a couple words on the top 5, at least, actually
but it all started getting a bit "heavy-handed" (not just for me, whoever'd be reading it) so i just kinda scrapped it and figured i may give it another shot in a hot minute
in any case, here's that other shot!
05. WeirdoComes in unapologetically, and rocks in much the same way. An argument against anyone who said Get Ready was the first time New Order was really a "rock band," this thing is just a burst of energy no matter how many times I put it on (and damn that is not a small number.) In all honesty, when I first got Brotherhood - which unlike the majority of their work was only a couple of years ago - it and a few other tracks seemed a bit anonymous to me at first. I'm not entirely sure why, perhaps the semi-consistency of the sides was different than say how Lowlife seemed to me, with each track being pretty drastically different, at least by my high school age observation. When getting back into the band and all their stages recently though, this one broke right into my top 5 and I don't know how'd I'd ever even graced over it at all before
04. True FaithI guess this is one of my entries that won't be all that hard to understand, one of their biggest hits and also one of my immediate favorites upon getting The Best Of (my second New Order experience after Waiting for the Sirens' Call, which, believe it or not, was the first thing I'd ever heard by the band) along with Let's Go, Age of Consent, 1963, and a handful of others. Of course, I love practically every track on that compilation by this point, a collection of songs I feel no need to cherry pick from, but this one in all its glory just sticks with me no matter how much it may have been overplayed before my birth (maybe one of the reasons I don't take it for granted?)
Semi-interesting anecdote/argument: When watching American Psycho for the first time, I remarked after this track came on during a club scene featuring Patrick Bateman shouting at a bartender behind her back that you knew it was the 80s because a New Order song was playing. The friend I was watching it with laughed at the comment and said "yeah, that was the only time New Order were played, in the 80s" which, though on paper probably looks like it was meant as a sarcastic comment, it wasn't (this was a friend who had also, keep in mind, not too long before said that Depeche Mode and Soft Cell were the "same thing," haha.) In any case, I just remember thinking how off that comment of his was, since as I and anyone else who's really given New Order a passing listen would more than likely tell you that, apart from a couple of "production quirks" they are above the trappings of 80s music and more or less timeless. This song is a perfect example of that
03. WorldI already know the "huhs?" and "seriously?" this one would probably inspire from N.O. fans going through the list, or even just hearing that someone put this in their top 5, but honestly, before I had ever even so much as talked to another real New Order fan (at least about the band themselves and their work) I would have guessed it was without a doubt a serious fan favorite. An alternating one, perhaps, but a serious contender for "one of their absolute best" amongst the fan base in any case. Looking at it now, I realize that was more or less a result of "projecting" on my part, since this song as well as many from Republic exhibit things that I was looking for in music then and still highly value now: uncomprosing drum beats/loops, particularly the kind of breaks used in World as well as several of the other Repub tracks, bouncing basslines, beautiful sustained synths, and that perfect chorus + the indescribably (at least by me at this point in time) catchy, for lack of better word, verse melodies sung by Bernard
I don't know this song just sticks out to me as a perfect moment in their career, better than the often over-praised Regret if you ask me, and not so distantly followed by some of its relatives on the underrated/overhated 1993 album (I should note here that Young Offender, among others, is a serious Runner-Up for this whole list and honestly looking at it all now I really should have included it somewhere in the top 20. Just wanted to keep it at least somewhat-career-spanning I guess)
02. Bizarre Love TriangleJust an absolutely perfect song. Written by Bernard at a time when he was seemingly affected by the things around him and whatever was going on in his life (more evidenced by Brotherhood and various other off-album N.O. tracks) yet the song sounds free from that; a song that sounds free from any kind of real pessimism or cynicism - possible indication of Joy Division who hate their proceeding incarnation so much - this song just rushes gleefully forward like a burst of joy that can finally be expressed artistically to the world after so long a time of being repressed. I just love this song
01. Dream AttackAfter my last description, you'd think BLT'd be my number 1, yet somehow I had reserved the spot for this one without even really thinking about it. It just seemed natural to call this both my favorite and the best New Order song the world has been graced with so far. It's got just about every element you could ask for from the band to both represent the band to someone else and enjoy them for yourself - not to mention, as a song it manages to come off as seemingly dramatic and/or casual as you would want it to at any given moment. You could listen to this at a time when you were completely in love, or taken by someone, whatever branding you want to call it, and feel as satisfied as you would if you were in a pessimistic state about it all. The chorus proclamation "I don't belong to know one, but I want to be with you" is such a casually tossed off and uncontrived statement that it pulls it off, sing it when you're resigned or willfully committed to a person and it still works. Musically the song propels forward in a way that's maybe not quite as rushing or gleeful as Weirdo but still urgent and unrestrained, at least from a listener's point of view. Hook's iconic style of bass-line delivery is showcased, but the band are working together in a way that seems to highlight each one's individual talents in more than one way through various points of the song. The guitar outro just brings it all around to an absolutely perfect New Order track
Edited by user 10 August 2014 17:17:47(UTC)
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