0_o wrote:...working with Stuart Price or Chemical Bros...
Well I for one would welcome a production collaboration (if it has to be someone) with Stuart Price. He has delivered the best PSB album in living memory with their new release 'Electric' and his collaboration on rebuilding the new live versions of 586 etc were fantastic.
Jailbait Spider wrote:If Barney is able to write lyrics that don't contain the expressions "hey you", "what's the matter" and "what you doin'" I'll be very pleased.
I've been thinking about this and I'd be keen to debate what impact producer-choice has made on NO's recordings / creativity over the years. I believe that their best work was always self-produced; i.e. PC&L thru Technique and singles in between, i.e after they'd 'learned the ropes' from Martin Hannett.
I can understand the weight off the recording shoulders, ability to manage personalities, pressure from labels, etc that comes with bringing in a producer, but - apart from some particular highlights - has the band's output been as cutting edge / independent / creative over the past 4 albums (Republic through Lost Sirens)?
Has the rock element and structured songwriting become too MOR? If so how much are the producers to blame? Have the production choices (Gabriel, Hague, Osborne, Spencer, Leckie, Street, Price, Chems) been positive or negative?
Perhaps this suggested EP by EP path could underpin a return to form... The quite-remarkable return to touring by the 5-piece band, Hooky out there hell-bent on enjoying himself, clearing of the decks with the release of Lost Sirens and selected live performances; I just get a sense that things are settling down, the pressure has lessened and that we might see something special in the not too distant future. Lets hope.
D